This thesis investigates the artistic and philosophical consequences of understanding musical instruments as artifacts embodying a score. In other words, it explores the extent to which musical instruments can be perceived as […]
Homo Restis is a sound costume performance, developed in the years 2014-2016 by Sarah Leimcke and Jens Vetter as the most recent performance project of their ten-year collaboration.The project consists of two […]
AbstractThis paper analyzes some of the actual tendencies for musical creation with music controllers laying emphasis on first, the ideologies of interface design through a “maximal versus minimal” dualism; and second, on […]
xCoAx 2018: Schallmauer: Composing Tactile Sound for the Solid Medium In this article we describe the Schallmauer, a site-specific interactive sound installation at the new Musiktheater opera house in Linz, Austria. This […]
Martin Kaltenbrunner and Jens Vetter are presenting the Tquencer in Madrid.
We will present our project Tquencer at Medialab Prado on 1.Dec. 2018, including a Talk by Martin Kaltenbrunner and a Performance by Jens Vetter.
AbstractIn this paper the art installation “Tangible Scores” is presented,laying emphasis on its design decisions, featuresand constraints. In order to explain the important relationshipbetween physicality and artistic expression, the conceptof “performative materiality” […]
ABSTRACTStreet art opens a new, broad research field in the context ofurban communication and sound aesthetics in public space.The primary focus of this article is the relevance and effectsof using sound technologies […]
ABSTRACT This article discusses the design and implementation of theTquencer, a tangible musical sequencer device. The tangibleinteraction paradigm for musical sequencers has been exploredpreviously trough the arrangement of simple tangible tokenswithin time-based […]