Post Digital Ensemble Lyrics Edition // Performance CreditsRicardo Pastor: ViolinMichael Kramer: SynthAndreas Grünauer: Synth & PulseBoris Shershenkov: Modular SynthMubie (Mobina Vatandoost): Vocals & FluteLukas König: Featured Percussion (Guest Artist)Bernhard Breuer: Ensemble Leader […]
This paper introduces a novel approach for utilizing Simplex noise in musical exploration via a Pure Data (Pd)external object. While previous applications of gradient noise in sound synthesis have focused on sampling […]
This paper provides guidance on establishing inclusive hackerspaces for creating NIMEs, filling a gap in literature on feminist approaches to community hacking in music and sound. It advocates for spaces that promote […]
Nachhall#2: Musik und ihre Instrumente in der Post-Digitalität Volkmar Klien (Einführung & Moderation)Martin Kaltenbrunner (Vortrag ‘Postdigital Lutherie‘) Isabella Forciniti (Elektronik)Enrique Tomás (Tangible Scores) Benjamin Wesch (Extended Oud)
The Tangible Music Lab is presenting the Master Study Postdigital Lutherie at the Superbooth 2022 Berlin. Visit us at the booth O245!
DIY Bionoise (2018) is an instrument in which the performer can generate sound and noise, deriving from their own body. It contains a circuit that can measure the bioelectricity from living beings […]
This paper reports on a workshop where participants produced physical mock-ups of musical interfaces directly after miming control of short electro-acoustic music pieces. Our goal was understanding how people envision and materialize […]
While street art has a rich history in terms the formation of the urban landscape, mainly through the appropriation of wall space, Sound Tossing offers a way to play with urban aesthetics […]
ABSTRACTStreet art opens a new, broad research field in the context ofurban communication and sound aesthetics in public space.The primary focus of this article is the relevance and effectsof using sound technologies […]