ABSTRACTTangible Scores are a new paradigm for musical instrumentdesign with a physical configuration inspired by graphicscores. In this paper we will focus on the design aspectsof this new interface as well as […]
This work introduces and contextualizes the artistic performance project Homo Restis and in particular the modular interface system I developed specifically for it. The costume sound performance Homo Restis is a collaboration […]
ABSTRACTThe development of new approaches to instrumentality during the decade of 1960 contributed to the dual perception of instruments as scores. For many performers, the instrument became the score of what they […]
ABSTRACTIn this paper we discuss a modular instrument system for musical expression consisting of multiple devices using string detection, sound synthesis and wireless communication. The design of the system allows for different physical […]
A Tangible Musical Sequencer Using Overlays The Tquencer is a tangible musical sequencer device, developed by Martin Kaltenbrunner and Jens Vetter. It introduces several physical design elements that allow the development of […]
designing musical instruments for grey parrots Funded by the Austrian Science Fund FWF (PEEK AR349-G24)Initiated by alien productions in collaboration with ARGE Papageienschutz. metamusic aims to develop interactive sound installations and electronic […]
Sculpting Sonic Expression into Musical Artifacts Funded by the Austrian Science Fund FWF, Programm zur Entwicklung und Erschließung der Künste (PEEK AR99-G24 October 2017 – March 2022). Description The aim of this […]
PhD Thesis Enrique Tomás “The Interface Score” supervised by Prof. Dr. Martin Kaltenbrunner and Prof.Dr. Gerhard Eckel This artistic thesis investigates the artistic and philosophical consequences of understanding musical instruments as artifacts […]
An interactive sound installation at the Musiktheater Linz opera house. A long corridor at the top floor of the Klangfoyer at the Musiktheater Linz features a wall comprised of several wooden panels. […]