Tangible Signals – Physical Representation of Sound and Embodied Control Feedback Music brings joy, enables artistic self-expression and stimulates human connections. The research project Tangible Signals explores the physicality of computer music […]
This thesis investigates the artistic and philosophical consequences of understanding musical instruments as artifacts embodying a score. In other words, it explores the extent to which musical instruments can be perceived as […]
Homo Restis is a sound costume performance, developed in the years 2014-2016 by Sarah Leimcke and Jens Vetter as the most recent performance project of their ten-year collaboration.The project consists of two […]
AbstractThis paper analyzes some of the actual tendencies for musical creation with music controllers laying emphasis on first, the ideologies of interface design through a “maximal versus minimal” dualism; and second, on […]
xCoAx 2018: Schallmauer: Composing Tactile Sound for the Solid Medium In this article we describe the Schallmauer, a site-specific interactive sound installation at the new Musiktheater opera house in Linz, Austria. This […]
ABSTRACTTangible Scores are a new paradigm for musical instrumentdesign with a physical configuration inspired by graphicscores. In this paper we will focus on the design aspectsof this new interface as well as […]
This work introduces and contextualizes the artistic performance project Homo Restis and in particular the modular interface system I developed specifically for it. The costume sound performance Homo Restis is a collaboration […]
ABSTRACT This article discusses the design and implementation of theTquencer, a tangible musical sequencer device. The tangibleinteraction paradigm for musical sequencers has been exploredpreviously trough the arrangement of simple tangible tokenswithin time-based […]