This paper provides guidance on establishing inclusive hackerspaces for creating NIMEs, filling a gap in literature on feminist approaches to community hacking in music and sound. It advocates for spaces that promote […]
Nachhall#2: Musik und ihre Instrumente in der Post-Digitalität Volkmar Klien (Einführung & Moderation)Martin Kaltenbrunner (Vortrag ‘Postdigital Lutherie‘) Isabella Forciniti (Elektronik)Enrique Tomás (Tangible Scores) Benjamin Wesch (Extended Oud)
This paper presents WELLE, a web-based music environment for blind people, and describes its development, design, notation syntax and first experiences. WELLE is intended to serve as a collaborative, performative and educational […]
DIY Bionoise (2018) is an instrument in which the performer can generate sound and noise, deriving from their own body. It contains a circuit that can measure the bioelectricity from living beings […]
This paper reports on a workshop where participants produced physical mock-ups of musical interfaces directly after miming control of short electro-acoustic music pieces. Our goal was understanding how people envision and materialize […]
While street art has a rich history in terms the formation of the urban landscape, mainly through the appropriation of wall space, Sound Tossing offers a way to play with urban aesthetics […]