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Events

 {#3056
  +"id": 2181
  +"type": "event"
  +"slug": "residency-em-kvlt"
  +"title": "Residency: EM KVLT [Meg Schedel, Sofy Yuditskaya, Jess Rowland]"
  +"content": """
    <p>15.1.2023 to 25.1.2023</p>\n
    \n
    \n
    \n
    <p>Formerly known as Bunker, EMKVLT consists of Sofya Yuditskaya, Margaret Schedel and Jess Rowland. They are a regular fixture on the New York City improvisation scene, with performances at H0L0, Harvestworks, Improvisation Summit, Putty&#8217;s Coronation, NYU, Stony Brook, and SummerCamp. Individually the musicians have internationally recognized careers; EMKVLTis the intersection of our interests and identities. EMKVLT functions as the core of our open ensemble, The International Witch Collective.</p>\n
    \n
    \n
    \n
    <p></p>\n
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    <p></p>
    """
  +"excerpt": "15.1.2023 to 25.1.2023 Formerly known as Bunker, EMKVLT consists of Sofya Yuditskaya, Margaret Schedel and Jess Rowland. They are a &hellip; <a href="https://tamlab.kunstuni-linz.at/events/residency-em-kvlt/"><u>Read more</u></a>"
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    0 => {#3054
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      +"name": "Electronic Music &amp; Sound Art"
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 {#2935
  +"id": 2249
  +"type": "event"
  +"slug": "artist-in-residence-heike-kaltenbrunner"
  +"title": "Artist in Residence Heike Kaltenbrunner"
  +"content": """
    <p>Heike Kaltenbrunner has spent the months of Febrary and March 2024 workin in a new technical version of the ‘proximity organ’ (Näherungsorgel). The instrument combines the pipe organ and the Theremin, therefore the pipes are at the same time sound generators and sensors for proximity. A distant position sends a small amount of air through the pipes, which creates soft overtones, fffffrrrrs, humming and hissing, hence getting closer produces a full note sound. The instrument may either be played ‚plain‘ with a direct relation of proximity and amount of wind, or extented with further reaction details. These may be programmed in PD as part of the composition. It offers composers and musicians direct access to overtones and noises. Technically there are three intertwining components: pipes that function as capacitive proximity sensors, hand-made arduino controlled valves that regulate the wind supply in place of an organ’s usual open/close key mechanism and a detailed PD and programming that shapes the interaction. It offers composers and musicians direct access to overtones and noises. The project began in 2022 as a cooperation between of Heike Waldner-Kaltenbrunner and Mathias Lenz and was furher developed in Vienna and Berlin with a team of specialists.</p>\n
    \n
    \n
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  +"excerpt": "Heike Kaltenbrunner has spent the months of Febrary and March 2024 workin in a new technical version of the ‘proximity &hellip; <a href="https://tamlab.kunstuni-linz.at/events/artist-in-residence-heike-kaltenbrunner/"><u>Read more</u></a>"
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 {#3046
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    <p>Jack Armitage is postdoctoral research fellow at the Intelligent Instruments Lab and holds a doctorate in Media and Arts Technologies from Queen Mary University of London, where he studied in Prof. Andrew McPherson&#8217;s Augmented Instruments Lab. During his PhD I was a Visiting Scholar at Georgia Tech under Prof. Jason Freeman. Before then, he was a Research Engineer at ROLI after graduating with a BSc in Music, Multimedia &amp; Electronics from the University of Leeds. His research interests include embodied interaction, craft practice and design cognition. He also produces, performs and live codes music as Lil Data, as part of the PC Music record label.</p>\n
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    <p>During this residency at the Tangible Music Lab Jack will explore digital synthesis using GPU and will design a tangible interface for his latest performance. </p>
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