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Events

 {#3049
  +"id": 2066
  +"type": "event"
  +"slug": "postdigital-opening-festival-der-regionen"
  +"title": "Postdigital Opening @ Festival der Regionen"
  +"content": """
    <p>Students of the Postidigital Lutherie master program will premiere two site-specific musical instruments at the opening ceremony of Festival der Regionen.</p>\n
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    <p>Watch below a recording of both concerts!</p>\n
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    <iframe src="//www.dorftv.at/embed/42491"  width="560" height="340" frameborder="0" allowfullscreen></iframe>\n
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    <h1 class="wp-block-heading">Sleepers</h1>\n
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    <h2 class="wp-block-heading">Fatima El-Kosht, Omid Zolfaghari, Aldin Dapo</h2>\n
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    <figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="729" src="https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00840-1024x729.jpg" alt="" class="wp-image-2087" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00840-1024x729.jpg 1024w, https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00840-480x342.jpg 480w, https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00840-768x547.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00840.jpg 1124w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>\n
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    <p>The sleepers is a site specific sculptural instrument based on a desconstructed railtrack. Several players are collaboratively interacting with the rail sleepers, which ranges from a subtle caressing, heavy body motions and percussive gestures in the style of a large scale marimba.</p>\n
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    <h1 class="wp-block-heading">Pneumonium</h1>\n
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    <h2 class="wp-block-heading">Michael Kramer, Ozan Tezvaran, Thomas Geissl</h2>\n
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    <figure class="wp-block-image size-large"><img decoding="async" width="1024" height="683" src="https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00862-1024x683.jpg" alt="" class="wp-image-2088" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00862-1024x683.jpg 1024w, https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00862-480x320.jpg 480w, https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00862-768x512.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/DSC00862.jpg 1200w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>\n
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    \n
    <p>The pneumonium is an experimental pneumatic musical instrument, that uses air pressure for the acoustic synthesis of a percussive sound experience. An array of digitally controlled valves feeds several high-pressure sound generators, enabling the arangement of a pneumatic techno performance. This project has been technically supported by <a href="https://www.festo.com/">Festo</a> and <a href="https://kaeser.com/">Kaeser</a>.</p>
    """
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    0 => {#3062
      +"id": 2
      +"name": "New Musical Interfaces"
      +"slug": "new-musical-interfaces"
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    1 => {#3064
      +"id": 30
      +"name": "Electronic Music &amp; Sound Art"
      +"slug": "sound-music"
      +"link": "https://tamlab.kunstuni-linz.at/topics/sound-music/"
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    0 => {#3060
      +"id": 74
      +"name": "Concert"
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 {#2934
  +"id": 2073
  +"type": "event"
  +"slug": "klangfestival"
  +"title": "Postdigital Pool Party @ Klangfestival"
  +"content": """
    <p>Students of the Postidigital Lutherie master program will showcase their musical instrument creations within an old swimming pool venue at Klangfestival, Gallneukirchen.</p>\n
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    <h2 class="wp-block-heading"><strong>Michael Kramer &#8211; Pneumonium</strong></h2>\n
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    <p>The pneumonium is an experimental pneumatic musical instrument, that uses air pressure for the acoustic synthesis of a percussive sound experience. An array of digitally controlled valves feeds several high-pressure sound generators, enabling the arangement of a pneumatic techno performance. This project has been technically supported by <a href="https://www.festo.com/">Festo</a> and <a href="https://kaeser.com/">Kaeser</a>.</p>\n
    \n
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    <figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="654" src="https://tamlab.kunstuni-linz.at/wp-content/uploads/pneumatic-1024x654.jpg" alt="" class="wp-image-2074" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/pneumatic-1024x654.jpg 1024w, https://tamlab.kunstuni-linz.at/wp-content/uploads/pneumatic-480x307.jpg 480w, https://tamlab.kunstuni-linz.at/wp-content/uploads/pneumatic-768x491.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/pneumatic.jpg 1440w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>\n
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    <h2 class="wp-block-heading"><strong>Benjamin Wesch &#8211; 2, 6, Oud, 10, 14, 16, 24, 25, 33</strong></h2>\n
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    <p>Transformed into percussive instruments, the lockers resound with resolute rhythm and harmonious tones complementing the Oud, a Persian lute. The serene melodies of the Oud converge with the loud, chaotic, and generative forces, creating an immersive performance that pushes the boundaries of sound and space.</p>\n
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    <figure class="wp-block-image size-large is-style-default"><img loading="lazy" decoding="async" width="1024" height="771" src="https://tamlab.kunstuni-linz.at/wp-content/uploads/ben-1024x771.jpg" alt="" class="wp-image-2077" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/ben-1024x771.jpg 1024w, https://tamlab.kunstuni-linz.at/wp-content/uploads/ben-480x361.jpg 480w, https://tamlab.kunstuni-linz.at/wp-content/uploads/ben-768x578.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/ben-1536x1156.jpg 1536w, https://tamlab.kunstuni-linz.at/wp-content/uploads/ben-2048x1542.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>\n
    \n
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    <p>Ben Wesch is a guitarist living in Munich and Linz. He played many Gypsy Jazz concerts in the past with different Munich-based bands. Since 2018, he&#8217;s on a journey continuously switching between the sonic purity of the Oud and experiments with digital sound synthesis and composition, building his own instruments and musical tools.</p>\n
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    <h2 class="wp-block-heading"><strong>Kevin Blackistone &#8211; Tangiball</strong></h2>\n
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    <p>Originally inspired by mixing the ideas of delay-based magnetic tape technology and the history of non-linear and randomize recording artworks, the &#8220;Tangiball&#8221; uses a spherical topology as recording surface. This allows certain means of traditional manipulation, such as audio scratching, scrubbing and delay effects, but with the inherent randomness infused through the motions of the performer and the inherent instabilities of the spherical roller system. The present iteration demonstrates digitally the conceptual and performative aspects desired in the in-production physical tape head and magnetic media device.</p>\n
    \n
    \n
    \n
    <figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="709" src="https://tamlab.kunstuni-linz.at/wp-content/uploads/kevin-1024x709.jpg" alt="" class="wp-image-2080" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/kevin-1024x709.jpg 1024w, https://tamlab.kunstuni-linz.at/wp-content/uploads/kevin-480x332.jpg 480w, https://tamlab.kunstuni-linz.at/wp-content/uploads/kevin-768x531.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/kevin-1536x1063.jpg 1536w, https://tamlab.kunstuni-linz.at/wp-content/uploads/kevin.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>\n
    \n
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    <p>Kevin Blackistone is a digital intermedia artist whose work conceptualizes the collection and handling of data, information and memory through the lenses of hierarchy and complexity in the domains of personal, social and scientific dynamics. He is currently pursuing a Masters in Postdigital Lutherie at Kunstuniversität Linz where he is exploring tangible and sound-based approaches to these concept.</p>\n
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    <h2 class="wp-block-heading"><strong>Christoph Kirmair &#8211; Bendpass</strong></h2>\n
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    <p>Bendpass is an early prototype of an instrument that incorporates the haptics of stringed instruments in the domain of digital sound synthesis. It guides the player through the performance by rendering the feedback of the tone on the surface, dynamically changing the feeling underneath the fingertips and thus entering into a dialogue with the player. In this first appearance it will be played as a custom synthesizer, yet static, but allowing new forms of interactions through its layout and design.</p>\n
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    <figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://tamlab.kunstuni-linz.at/wp-content/uploads/iggy-1024x768.jpg" alt="" class="wp-image-2081" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/iggy-1024x768.jpg 1024w, https://tamlab.kunstuni-linz.at/wp-content/uploads/iggy-480x360.jpg 480w, https://tamlab.kunstuni-linz.at/wp-content/uploads/iggy-768x576.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/iggy.jpg 1440w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>\n
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    <p>Bandpass is built and played by Christoph Kirmaier aka. Iggi, a Vienna based multimedia artist, interaction designer and musician, working all across large scale corporate multimedia installations, sound design, electronics, animation, user experience and robotic prototypes in several companies, bands &amp; collectives like Mary-Ann Kiefer, 3e8 and Mozo Mozo.</p>
    """
  +"excerpt": "Students of the Postidigital Lutherie master program will showcase their musical instrument creations within an old swimming pool venue at &hellip; <a href="https://tamlab.kunstuni-linz.at/events/klangfestival/"><u>Read more</u></a>"
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 {#3021
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  +"slug": "postdigital-ensemble-klangfestival"
  +"title": "Postdigital Ensemble @ Klangfestival"
  +"content": """
    <figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="918" src="https://tamlab.kunstuni-linz.at/wp-content/uploads/2024/06/poster-tamlab-klangfestival-1024x918.jpg" alt="" class="wp-image-2350" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/2024/06/poster-tamlab-klangfestival-1024x918.jpg 1024w, https://tamlab.kunstuni-linz.at/wp-content/uploads/2024/06/poster-tamlab-klangfestival-480x430.jpg 480w, https://tamlab.kunstuni-linz.at/wp-content/uploads/2024/06/poster-tamlab-klangfestival-768x688.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/2024/06/poster-tamlab-klangfestival.jpg 1500w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>\n
    \n
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    \n
    <h2 class="wp-block-heading">Friday 5.7.2024 19h. </h2>\n
    \n
    \n
    \n
    <h2 class="wp-block-heading">Klangfestival Opening Performance.</h2>\n
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    <p>The Postdigital Ensemble is a contemporary music collective with students from the Postdigital Lutherie master program at the University of Arts Linz, and is conducted by Angelica Castelló from Anton Bruckner University. The ensemble integrates novel musical instruments into their performative practice, which have been partially developed or modified by the performers, and combine acoustic, electronic and digital elements towards a postdigital design. At this year&#8217;s Klangfestival in Gallneukirchen the Postdigital Ensemble will perform the opening concert.</p>\n
    \n
    \n
    \n
    <p>In addition to that Ben Wesch will premier his spatial composition &#8220;Evolving Gravity&#8221;, which is exploring methods of &#8220;spatial synthesis&#8221; using the OTTOsonics multichannel system at the iconic Kulturpool venue in Gallneukirchen. Enrique Tomás will also spatialize the Postdigital Ensemble performance integrated by Gundega Graudina, Thomas Geissl, Ksenia Bakhtina, Ozan Tezvaran and Te-En Chen.</p>\n
    \n
    \n
    \n
    <p>More information: <a href="https://klangfestival.at/Tangible-Music-Lab-1">https://klangfestival.at/Tangible-Music-Lab-1</a><br></p>\n
    \n
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  +"excerpt": "Friday 5.7.2024 19h. Klangfestival Opening Performance. The Postdigital Ensemble is a contemporary music collective with students from the Postdigital Lutherie &hellip; <a href="https://tamlab.kunstuni-linz.at/events/postdigital-ensemble-klangfestival/"><u>Read more</u></a>"
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