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Publications

 {#3077
  +"id": 998
  +"type": "publication"
  +"slug": "material-embodiments-study"
  +"title": "Material Embodiments of Electroacoustic Music: An Experimental Workshop Study"
  +"content": """
    <p>This paper reports on a workshop where participants produced physical mock-ups of musical interfaces directly after miming control of short electro-acoustic music pieces. Our goal was understanding how people envision and materialize their own sound-producing gestures into physical characteristics when designing NIMEs. During the workshop, 50 participants from four different creative backgrounds modeled more than 180 physical artifacts. Participants were filmed and interviewed for the later analysis of their different personal cognitive mappings.</p>\n
    \n
    \n
    \n
    <p>Our initial hypothesis was that most of the physical mock-ups would be similar to the sound-producing objects that participants would identify in the musical pieces. Although a significant part of the artifacts clearly showed correlated design trajectories, our results indicate that a relevant number of participants intuitively decided to engineer alternative and non-correlated solutions emphasizing their personal design preferences. Therefore, in this paper, we present and discuss these results as well as their possible consequences and applications for designing novel musical interfaces.</p>
    """
  +"excerpt": "This paper reports on a workshop where participants produced physical mock-ups of musical interfaces directly after miming control of short &hellip; <a href="https://tamlab.kunstuni-linz.at/publications/material-embodiments-study/"><u>Read more</u></a>"
  +"link": "https://tamlab.kunstuni-linz.at/publications/material-embodiments-study/"
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      0 => "19th International Conference on New Interfaces for Musical Expression (NIME19), Porto Alegre, Brazil"
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      +"name": "New Musical Interfaces"
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        <p><a href="http://ultranoise.es/">Enrique Tomás</a> (*1981) is a sound artist and post-doc researcher who&nbsp;dedicates his time to finding new ways of expression and play with sound, art and technology.&nbsp;His work explores the intersection between sound art, computer music, locative media and human-machine interaction.&nbsp;</p>\n
        \n
        \n
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        <p>As an individual artist, Tomás’ activity is centered around <a href="http://www.ultranoise.es">ultranoise.es</a> and focuses on performances and installations with extreme and immersive sounds and environments.&nbsp;He has exhibited and performed in spaces of <em>Ars Electronica</em>, <em>Sonar</em>, <em>CTM</em>, <em>IRCAM</em>, <em>IEM</em>, <em>KUMU</em>, <em>SMAK</em>, <em>NOVARS</em>, <em>STEIM</em>, <em>Steirischer Herbst</em>, <em>Alte Schmiede</em>, etc., and in galleries and institutions throughout Europe and Latin America.</p>
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    1 => {#3092
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      +"slug": "martin-kaltenbrunner"
      +"title": "Martin Kaltenbrunner"
      +"content": """
        <p><em>Martin Kaltenbrunner</em> (*1972) is professor for <em>Tangible Interaction Design</em>, head of the <em>Tangible Music Lab</em> and director of the <em><a href="https://tamlab.ufg.at/master/">Postdigital Lutherie</a></em> master program at the Institute of Media Studies at the <a href="https://www.ufg.at">University of Art and Design in Linz</a>. </p>\n
        \n
        \n
        \n
        <p>Before his return to Austria he worked as researcher and lecturer at the <a href="https://www.upf.edu/">Pompeu Fabra University</a> in Barcelona as well as further European institutions, such as the <a href="https://en.wikipedia.org/wiki/Media_Lab_Europe">MIT Medialab Europe</a> in Dublin. As co-founder of <a href="https://www.reactable.com/">Reactable Systems</a> he had been mainly working on the interaction design concepts behind the electronic musical instrument Reactable, which was awarded with a <em>Golden Nica</em> for Digital Music at the <em>Prix Ars Electronica</em> 2008. This instrument provided the framework for his present artistic-research practice, which is applying tangible interaction design methods towards post-digital lutherie.</p>\n
        \n
        \n
        \n
        <p>He received a Doctorate in Engineering from the <a href="https://www.uni-weimar.de/medien/"><em>Bauhaus-University Weimar</em>,</a> and his technical developments in the field of <em>Tangible User Interfaces</em> have been employed for the realization of numerous artistic and scientific projects.</p>
        """
      +"excerpt": "Martin Kaltenbrunner (*1972) is professor for Tangible Interaction Design, head of the Tangible Music Lab and director of the Postdigital &hellip; <a href="https://tamlab.kunstuni-linz.at/publications/material-embodiments-study/"><u>Read more</u></a>"
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        <p>As an individual artist, Tomás’ activity is centered around <a href="http://www.ultranoise.es">ultranoise.es</a> and focuses on performances and installations with extreme and immersive sounds and environments.&nbsp;He has exhibited and performed in spaces of <em>Ars Electronica</em>, <em>Sonar</em>, <em>CTM</em>, <em>IRCAM</em>, <em>IEM</em>, <em>KUMU</em>, <em>SMAK</em>, <em>NOVARS</em>, <em>STEIM</em>, <em>Steirischer Herbst</em>, <em>Alte Schmiede</em>, etc., and in galleries and institutions throughout Europe and Latin America.</p>
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        <p><em>Martin Kaltenbrunner</em> (*1972) is professor for <em>Tangible Interaction Design</em>, head of the <em>Tangible Music Lab</em> and director of the <em><a href="https://tamlab.ufg.at/master/">Postdigital Lutherie</a></em> master program at the Institute of Media Studies at the <a href="https://www.ufg.at">University of Art and Design in Linz</a>. </p>\n
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        <p>Before his return to Austria he worked as researcher and lecturer at the <a href="https://www.upf.edu/">Pompeu Fabra University</a> in Barcelona as well as further European institutions, such as the <a href="https://en.wikipedia.org/wiki/Media_Lab_Europe">MIT Medialab Europe</a> in Dublin. As co-founder of <a href="https://www.reactable.com/">Reactable Systems</a> he had been mainly working on the interaction design concepts behind the electronic musical instrument Reactable, which was awarded with a <em>Golden Nica</em> for Digital Music at the <em>Prix Ars Electronica</em> 2008. This instrument provided the framework for his present artistic-research practice, which is applying tangible interaction design methods towards post-digital lutherie.</p>\n
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      +"name": "Martin"
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  +"context": "19th International Conference on New Interfaces for Musical Expression (NIME19), Porto Alegre, Brazil"
  +"year": 2019
}

Events

 {#3081
  +"id": 1635
  +"type": "event"
  +"slug": "the-vegetable-orchestra"
  +"title": "The Vegetable Orchestra"
  +"content": """
    <figure class="wp-block-image size-large is-style-default"><img fetchpriority="high" decoding="async" width="724" height="1024" src="https://tamlab.ufg.at/wp-content/uploads/gemuese_photo_poster-724x1024.jpg" alt="" class="wp-image-1636" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/gemuese_photo_poster-724x1024.jpg 724w, https://tamlab.kunstuni-linz.at/wp-content/uploads/gemuese_photo_poster-339x480.jpg 339w, https://tamlab.kunstuni-linz.at/wp-content/uploads/gemuese_photo_poster-768x1087.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/gemuese_photo_poster-1086x1536.jpg 1086w, https://tamlab.kunstuni-linz.at/wp-content/uploads/gemuese_photo_poster-1447x2048.jpg 1447w, https://tamlab.kunstuni-linz.at/wp-content/uploads/gemuese_photo_poster.jpg 1809w" sizes="(max-width: 724px) 100vw, 724px" /></figure>\n
    \n
    \n
    \n
    <p><strong>Do you want to participate in the workshop? Write an email to <a rel="noreferrer noopener" href="mailto:martin.kaltenbrunner@ufg.at" target="_blank">martin.kaltenbrunner@ufg.at</a> or <a rel="noreferrer noopener" href="mailto:enrique.tomas@ufg.at" target="_blank">enrique.tomas@ufg.at</a> (2G COVID Policy required!)</strong></p>\n
    \n
    \n
    \n
    <p>The Vegetable Orchestra was founded in 1998. Based in Vienna, the Vegetable Orchestra plays concerts all over the world. Worldwide one of a kind, the Vegetable Orchestra performs on instruments made of fresh vegetables. The utilization of various ever refined vegetable instruments creates a musically and aesthetically unique sound universe. There are no musical boundaries for the Vegetable Orchestra. The most diverse music styles fuse here &#8211; contemporary music, beat-oriented House tracks, experimental Electronic, Free Jazz, Noise, Dub, Clicks&#8217;n&#8217;Cuts &#8211; the musical scope of the ensemble expands consistently, and recently developed vegetable instruments and their inherent sounds often determine the direction.</p>\n
    \n
    \n
    \n
    <p><br>All the instruments used are exclusively made from vegetables: from fresh as well as dried plant material such as carrot, leek, celery root, artichoke, dried pumpkin and onion skin. All these components are used for building organic instruments and sound generators which usually only last for one concert or one day in the studio. In addition to the vegetables, various utensils like record players or power drills are used to create unusual noises and to add unexpected texture to the music.</p>\n
    \n
    \n
    \n
    <p></p>\n
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    \n
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    <p><br>The public guest lecture starts at 11 am and the hands-on workshop from 1pm to 4pm will be conducted by Jürgen Berlakovich and Barbara Kaiser<br><a rel="noreferrer noopener" href="https://www.vegetableorchestra.org" target="_blank">https://www.vegetableorchestra.org</a></p>
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      +"id": 68
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 {#3074
  +"id": 1799
  +"type": "event"
  +"slug": "datu-arellano"
  +"title": "Datu Arellano: Lecture and Workshop"
  +"content": """
    <figure class="wp-block-image size-large is-style-default"><img decoding="async" width="724" height="1024" src="https://tamlab.ufg.at/wp-content/uploads/datu-all-724x1024.jpg" alt="" class="wp-image-1800" srcset="https://tamlab.kunstuni-linz.at/wp-content/uploads/datu-all-724x1024.jpg 724w, https://tamlab.kunstuni-linz.at/wp-content/uploads/datu-all-339x480.jpg 339w, https://tamlab.kunstuni-linz.at/wp-content/uploads/datu-all-768x1087.jpg 768w, https://tamlab.kunstuni-linz.at/wp-content/uploads/datu-all-1086x1536.jpg 1086w, https://tamlab.kunstuni-linz.at/wp-content/uploads/datu-all-1447x2048.jpg 1447w, https://tamlab.kunstuni-linz.at/wp-content/uploads/datu-all.jpg 1809w" sizes="(max-width: 724px) 100vw, 724px" /><figcaption class="wp-element-caption"><br>Datu Arellano (1980) is a visual artist, a musician, a graphic designer, a retired front-end web developer, an educator, and an active member of the Anino Shadowplay Collective. As a practitioner he straddles multiple contexts of visual and performing arts, and works within the traditional forms of drawing and painting; the experimental aspects of sound design, music, and video; and the commercial contexts of graphic design. Aside from exhibiting, Datu currently performs as an experimental musician and sound artist, and does music composition and arrangement.<br><br>He is the creator of the TAHIGAMI Project, which he began in 2011 as a visual arts project but has since expanded into the world of sound, music, and instrument building. He recently attended Documenta 15 in Kassel, Germany, as a guest artist, where his sound design and music accompanied visual artist-film maker Kiri Dalena’s 5-channel video installation.<br><br>In this presentation and workshop Datu will share his process and knowledge about designing and building his custom instruments, and how the different forms of art, science, math, and even family, inform his practice and are woven into his life.</figcaption></figure>\n
    \n
    \n
    \n
    <p><a href="https://datuarellano.com/">https://datuarellano.com/</a></p>\n
    \n
    \n
    \n
    <p></p>
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    1 => {#3034
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      +"name": "Guest Lecture"
      +"slug": "guest-lecture"
      +"link": "https://tamlab.kunstuni-linz.at/keywords/guest-lecture/"
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    }
  ]
  +"class": "new-musical-interfaces sound-music postdigital-design workshop guest-lecture"
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    date: 2022-06-28 00:00:00.0 UTC (+00:00)
  }
  +"timeStart": ""
  +"dateEnd": Illuminate\Support\Carbon @1656547200 {#3054
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    date: 2022-06-30 00:00:00.0 UTC (+00:00)
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  +"timeEnd": ""
  +"eventType": "lecture"
  +"location": "Tangible Music Lab"
}