This cumulative dissertation discusses – by the example of four subse-quent publications – the various layers of a tangible interaction frame-work, which has been developed in conjunction with an electronic musical instrument […]
This thesis investigates the artistic and philosophical consequences of understanding musical instruments as artifacts embodying a score. In other words, it explores the extent to which musical instruments can be perceived as […]
We will present our project Tquencer at Medialab Prado on 1.Dec. 2018, including a Talk by Martin Kaltenbrunner and a Performance by Jens Vetter.
ABSTRACT This article discusses the design and implementation of theTquencer, a tangible musical sequencer device. The tangibleinteraction paradigm for musical sequencers has been exploredpreviously trough the arrangement of simple tangible tokenswithin time-based […]
ABSTRACTTangible Scores are a new paradigm for musical instrumentdesign with a physical configuration inspired by graphicscores. In this paper we will focus on the design aspectsof this new interface as well as […]
This work introduces and contextualizes the artistic performance project Homo Restis and in particular the modular interface system I developed specifically for it. The costume sound performance Homo Restis is a collaboration […]
ABSTRACTThe development of new approaches to instrumentality during the decade of 1960 contributed to the dual perception of instruments as scores. For many performers, the instrument became the score of what they […]