Magical Sound Machines Elisabeth Schimana will talk about her work with the Max Brand Synthesizer, developed by the ingenious inventor Bob Moog for the visionary composer Max Brand in the late 1950s […]

Nachhall#2: Musik und ihre Instrumente in der Post-Digitalität Volkmar Klien (Einführung & Moderation)Martin Kaltenbrunner (Vortrag ‘Postdigital Lutherie‘) Isabella Forciniti (Elektronik)Enrique Tomás (Tangible Scores) Benjamin Wesch (Extended Oud)

The Tangible Music Lab is presenting the Master Study Postdigital Lutherie at the Superbooth 2022 Berlin. Visit us at the booth O245!

https://www.mariamgviniashvili.com/ Watch the online stream: Lecture begins on 10.5.2022 at 11am CEST.

The Tangible Music Lab’s PhD candidates Jens Vetter and Echo Ho are participating the ESPORA residency supported by the i-Portunus residency program at Phonos, UPF Barcelona in April 2022. During the residency […]

Watch the Live Streaming. Lecture begins on 4.4.2022 at 11am CEST. Svetlana Maraš (1985) is composer and sound artist. She works at the intersection of experimental music and sound art.  Maraš is […]

This paper presents WELLE, a web-based music environment for blind people, and describes its development, design, notation syntax and first experiences. WELLE is intended to serve as a collaborative, performative and educational […]

DIY Bionoise (2018) is an instrument in which the performer can generate sound and noise, deriving from their own body. It contains a circuit that can measure the bioelectricity from living beings […]

This paper reports on a workshop where participants produced physical mock-ups of musical interfaces directly after miming control of short electro-acoustic music pieces. Our goal was understanding how people envision and materialize […]

While street art has a rich history in terms the formation of the urban landscape, mainly through the appropriation of wall space, Sound Tossing offers a way to play with urban aesthetics […]