This paper provides guidance on establishing inclusive hackerspaces for creating NIMEs, filling a gap in literature on feminist approaches to community hacking in music and sound. It advocates for spaces that promote […]

Nachhall#2: Musik und ihre Instrumente in der Post-Digitalität Volkmar Klien (Einführung & Moderation)Martin Kaltenbrunner (Vortrag ‘Postdigital Lutherie‘) Isabella Forciniti (Elektronik)Enrique Tomás (Tangible Scores) Benjamin Wesch (Extended Oud)

The Tangible Music Lab is presenting the Master Study Postdigital Lutherie at the Superbooth 2022 Berlin. Visit us at the booth O245!

This paper presents WELLE, a web-based music environment for blind people, and describes its development, design, notation syntax and first experiences. WELLE is intended to serve as a collaborative, performative and educational […]

DIY Bionoise (2018) is an instrument in which the performer can generate sound and noise, deriving from their own body. It contains a circuit that can measure the bioelectricity from living beings […]

This paper reports on a workshop where participants produced physical mock-ups of musical interfaces directly after miming control of short electro-acoustic music pieces. Our goal was understanding how people envision and materialize […]

While street art has a rich history in terms the formation of the urban landscape, mainly through the appropriation of wall space, Sound Tossing offers a way to play with urban aesthetics […]

ABSTRACTStreet art opens a new, broad research field in the context ofurban communication and sound aesthetics in public space.The primary focus of this article is the relevance and effectsof using sound technologies […]