Enrique Tomás (*1981) is a sound artist, researcher and assistant professor at the Tangible Music Lab who dedicates his time to finding new ways of expression and play with sound, art and technology. His work explores the intersection between sound art, computer music, locative media and human-machine interaction.
As an individual artist, Tomás’ activity is centered around ultranoise.es and focuses on performances and installations with extreme and immersive sounds and environments. He has exhibited and performed in spaces of Ars Electronica, Sonar, CTM, IRCAM, IEM, KUMU, SMAK, NOVARS, STEIM, Steirischer Herbst, Alte Schmiede, etc., and in galleries and institutions throughout Europe and Latin America.
Find the complete list of publications at my Google Scholar: https://scholar.google.at/citations?user=60KC5zQAAAAJ
Publications
Composing the Instrument: Revisiting the notion of the instrument's score
Organised Sound. Cambridge University Press.
- Enrique Tomás,
- 2026
OTTOsonics: Designing and Implementing an Open and Affordable 3D Spatial Audio System
Organised Sound, Cambridge University Press, Issue Spatial Music, 2025
- Manu Mitterhuber,
- Enrique Tomás,
- Martin Kaltenbrunner,
- 2025
Interactive spatial audio diffusion: The pendulum haptic interface prototype
11th Machine Intelligence and Digital Interaction MIDI Conference
- Pavel Husa,
- Vojtech Leischner,
- Martin Kaltenbrunner,
- Enrique Tomás,
- 2023
Embodied Gestures
TU Wien Academic Press
- Enrique Tomás,
- Thomas Gorbach,
- Hilda Tellioglu,
- Martin Kaltenbrunner,
- 2022
Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces.
21st International Conference on New Interfaces for Musical Expression (NIME 21)
- Enrique Tomás,
- Thomas Gorbach,
- Hilda Tellioglu,
- Martin Kaltenbrunner,
- 2021
A Playful Approach to Teaching NIME: Pedagogical Methods from a Practice-Based Perspective
NIME´20 July 21-25, 2020, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom
- Enrique Tomás,
- 2020