Watch the Live Streaming. Lecture begins on 17.1.2022 at 18h CEST. Electronic lutherie in the composition and interpretation of electroacoustic music Throughout this lecture Reyes Oteo will introduce the fundaments of her […]

Diffracting Material and Epistemic Dimensions of Immersive Sound Technologies In Western music, spatial movement of sound reaches back to the Renaissance and the Venetian polychoral style, in which spatially separated choirs (cori spezzati: […]

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Project financed by the “Neustart Kultur” program – (Bundesministerium für Kunst und Kultur) in 2022. OTTOsonics Website in Alter Bauhof Description OTTOsonics is a collective project by sound-artists, developers, scholars and sound […]

Nachhall#2: Musik und ihre Instrumente in der Post-Digitalität Volkmar Klien (Einführung & Moderation)Martin Kaltenbrunner (Vortrag ‘Postdigital Lutherie‘) Isabella Forciniti (Elektronik)Enrique Tomás (Tangible Scores) Benjamin Wesch (Extended Oud)

The Tangible Music Lab’s PhD candidates Jens Vetter and Echo Ho are participating the ESPORA residency supported by the i-Portunus residency program at Phonos, UPF Barcelona in April 2022. During the residency […]

In this paper we discuss the beneficial aspects of incorporating energy-motion models as a design pattern in musical interface design. These models can be understood as archetypes of motion trajectories which are […]

Enrique Tomás will present his paper “Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces” at the upcoming the 21st conference NIME -New Interfaces for Musical Expression-. It will be held on June […]