Diffractive Interfaces: la difracción como una metodología de investigación artística.
Artnodes. (20), pp.85–100
- Andreu Belsunces,
- Laura Benítez Valero,
- Ulrich Brandstätter,
- César Escudero,
- Fabricio Lamoncha,
- Paula Pin,
- Enrique Tomás,
- 2017
Publications
Homo Restis: Constructive Control Through Modular String Topologies
Proceedings of the 17th Conference on New Interfaces for Musical Expression (NIME17), Copenhagen, Denmark
- Jens Vetter,
- Sarah Leimcke,
- 2017
How the Arts Can Help Tangible Interaction Design: A Critical Re-Orientation
Informatics Journal, Special Issue on Tangible Interaction Design, MDPI
- Enrique Tomás,
- 2017
Sonic Experiments with Grey Parrots: A Report on Testing the Auditory Skills and Musical Preferences of Grey Parrots in Captivity
Proceedings of the Fourth International Conference on Animal-Computer Interaction (ACI2017), Milton Keynes, UK
Musical Instruments as Scores: A Hybrid Approach
Proceedings of the TENOR 16: Second International Conference on Technologies for Music Notation and Representation 2016, Cambridge, United Kingdom
- Enrique Tomás,
- 2016
Politics of Musical Interfaces: Ideologies and Digital Disenchantment
Proceedings of the First International Conference on Politics of the Interface 2016, Barcelona, Spain.
- Enrique Tomás,
- 2016
SUR40 Linux: Reanimating an Obsolete Tangible Interaction Platform
Proceedings of the ACM International Conference on Interactive Surfaces and Spaces (ISS2016), Niagara Falls, Canada
- Florian Echtler,
- Martin Kaltenbrunner,
- 2016
Tangible Scores: An Installation
Proceedings of the 10th International Conference on Tangible and Embedded Interaction (TEI2016), Eindhoven, Netherlands
- Enrique Tomás,
- 2016
Sound Tossing: Audio Devices in the Context of Street Art
Proceedings of the 14th Conference on New Interfaces for Musical Expression (NIME14), London, United Kingdom
Tangible Scores: Shaping the Inherent Instrument Score
NIME’14, June 30 – July 03, 2014, Goldsmiths, University of London, UK
Previous Publications