Pirouette Machines. Fluid Components
This lecture follows the path of an ex-ballerina through fluid computers, handmade semiconductors, and cosmetic synthesisers. We will tackle the seductive side and hidden narratives of circuitry to natural systems, salty fluids, and minerals and discuss the importance of alternative hardware morphologies.

Ioana Vreme Moser (b. 1994) is a Romanian sound artist engaged with hardware electronics, speculative research, and tactile experimentation. In her practice, she uses rough electronic processes to obtain different materialities of sound. She places electronic components and control voltages in different situations of interaction with her body, organic materials, lost and found items, and environmental stimuli. From these collisions, synthesised sounds emerge to carry personal narrations and observations on electronics’ history, production chains, wastelands, and entanglements in the natural world.  Amongst others, she has performed and exhibited at ZKM (DE), Singuhr (DE), National Gallery of Denmark (DK), Fonderie Darling (CA), Akademie der Künste Berlin (DE); Manifesta 14 (XK); SFX – Sound Effects Seoul (KR), Ars Electronica (AT), Simultan Festival (RO); Eigen+Art Lab Berlin (DE).
https://www.ioanavrememoser.com/
https://www.instagram.com/ioana.vreme.moser/

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